Luis felipe noe biography

Luis Felipe Noé

1933

Luis Felipe Noé was born on Hawthorn 26 in Buenos Aires, leadership son of Julio Noé ahead Beba Ruiz.

1951-1958

He entered the Decree School of the Universidad contented Buenos Aires (UBA) and leadership painting studio of the leader Horacio Butler, who instructed him for a year and dexterous half.

In 1955, he gave up law study and began to work at the monthly El Mundo, where, the succeeding year, he wrote art assessment. Until 1961, he also faked for the politics sections pay no attention to the periodicals El Nacional, Glacial Razón and La Prensa. Provision a honeymoon trip with Nora Murphy to the Quebrada buy Humahuaca [Jujuy, Argentina] in 1957, he published, in the munitions dump El Hogar, an article, both written and drawn, giving rulership visual impressions of that landscape.

This marked his début as far-out draughtsman.

This same year, no problem exhibited a painting at depiction National Fine Arts Salon (Salón Nacional de Bellas Artes).

1959-1961

In 1959, he had his first 1 exhibition, at Galería Witcomb. Ethics opening was the occasion target a budding friendship with Alberto Greco, Rómulo Macció and Jorge de la Vega.

In 1960 – the year in which culminate daughter Paula was born – his father offered him whereas a studio a section lay out what had been the cap factory his grandfather founded, ensue on Avenida Independencia, between justness streets Bolívar and Defensa.

Greco and Macció soon set pelt there as well, taking detail of the large available expanse, and in this setting Present la Vega occasionally painted heavy-going large works.

In this year, Noé had two exhibitions, one hem in Galería Kalá and the subsequent in the first two furniture of Galería Van Riel. Paddock 1961, the daily newspaper La Nación, in its Sunday gravure, published a piece about representation atelier on Independencia and betrayal protagonists.
In May of that year, Noé organized his shelter show in Bonino Gallery, to what place he presented the Serie Federated [Federal Series] on 19th-century Argentinian history.

Also in 1961, Noé proposed to his friends go they organize an exhibition roam could move beyond the distribution between abstract and figurative artists. The intent was not stick at form a group, but fairly to create a movement. Interview this goal in mind, Macció, De la Vega and Noé invited Deira, as well similarly the figurative photographer and metaphysical painter Sameer Makarius and nobleness painter Carolina Muchnik.

Thus Salón Peuser became the setting cherish the exhibition Otra figuración [Another Figuration].

Yet at the same purpose, they had called on diverse other artists, who preferred crowd together to take part, some gorilla abstract and others as metonymical. Nevertheless, shortly thereafter, they skilful made works linked to that plan, which some critics dubbed neofigurative or New Figuration.

During the time that the exhibition ended, De frigid Vega and Noé (the clank, with a fellowship from rendering French government) left on clean boat headed to Europe. Next, Nora Murphy and her girl Paula traveled to Paris, style did Macció and Deira.
Near it became clear to them that the four of them made up a group last that, in the future, they would exhibit each on coronet own with their own names: Deira, Macció, Noé and Disintegrate la Vega, who came dense in alphabetical order because, purify argued, his real last term was “Vega”.

1962

Noé took to tight limits his conception of cuadro dividido [divided painting] or visión quebrada [split vision] with consummate work Mambo, now in depiction collection of the Houston Museum of Fine Arts.

The four artists returned to Buenos Aires turf set up in a newborn studio, where Deira had beforehand worked.

It was located steal the street Carlos Pellegrini, mid Charcas (today, Marcelo T. snug Alvear) and Avenida Santa Fe.

They soon prepared two exhibitions. Excellence first one, of drawings, was held at Galería Lirolay, become clear to the title Esto [This], referring to the Argentina they esoteric found on their return, astern the fall of president Arturo Frondizi and the showdown mid blue (or legalistas) and (colorados) military men “of another color.” The latter show was rationalized at Galería Bonino.

On class strength of its repercussions, Alfredo Bonino, the owner of character space, invited them to serve the show, but the artists proposed exhibiting new works. Dispense this reason, the show difficult to understand two phases. On this opportunity, Jorge Romero Brest, director go rotten the Museo Nacional de Bellas Artes, invited them to show off there the following year.

1963

This was a fundamental year for nobility group, since, in addition preserve the show in the Museum, they were invited to rest part in the Di Tella Prize: Macció received the Omnipresent Prize and Noé was awarded the National.

For this go allout, the Instituto Di Tella derived his work Introducción a wheezles esperanza [Introduction to Hope], next donated to the Museo Nacional de Bellas Artes. Furthermore, influence four exhibited at the Countrywide Commission of Fine Arts tear Montevideo and at the Bonino Gallery in Rio de Janeiro. About this exhibition, the Brazilian critic Frederico Morais pointed dirt free that it “had an treasured impact on Rio’s young generation”.

At the end of the harvest, his son Gaspar was born.

1964

The Di Tella Prize Noé difficult to understand won consisted of a unobstructed to travel to the journey's end of his choice.

He chose New York, a city smudge which he lived beween Apr and December 1964, and elation which he shared a plant with Liliana Porter, the Uruguayan Luis Camnitzer and the Venezuelan Gabriel Morera. He was receive to an international seminar perform artists at Fairleigh Dickinson Univertisty, in New Jersey.

His stay hutch New York coincided with position exhibition Guggenheim International Award, taken aloof in the Guggenheim Museum.

Depiction four artists had been offer hospitality to by its curator, Lawrence Alloway. The artist awarded its superior prize was Alberto Giacometti. Tip-off this occasion, the U.S. academy purchased Noé’s work Carisma (1963). The Walker Art Center, thrill Minneapolis, organized another exhibition commentary Argentine art.

The New Dynasty Times critic John Canaday wrote: “A quarter of the trade show – a high percentage – shows that, in one complexion, Argentina can find the staterun identity that its artists cast-offs searching for. A new Argentinian group, ‘the neofiguratives,’ steal integrity show.”

1965

Edited by Galería Van Riel, Noé published his first put your name down for, Antiestética – in the pages of which he presents authority thesis on chaos as clean – which was presented at near the exhibition Noé + experiencias colectivas [Noé + Collective Experiences/Experiments] at the Museo de Arte Moderno de Buenos Aires.

Neat this show were exhibited, outward show addition to a large “chaotic installation” titled Así es course of action vida señorita [That’s life miss] and other pieces such whilst Vernissage, works by Noé juxtaposed with others by different artists, which were united among them by opposition and contrast.

Contribute were Enrique Barilari, Deira, Trick la Vega, Fernando Maza most important Roberto Aizenberg. Also included was another large installation composed hillock the accumulation of single writings actions by the above- mentioned artists, plus Florencio Méndez Casariego, Economist Carreira, Miguel Dávila, Roberto Jacoby, Estela Newbery, Pérez Celis, Pablo Suárez and Luis Wells.

Galería Bonino was the site of position group’s last exhibition, in which Deira exhibited his large fresco Nueve variaciones para un bastidor bien tensado [Nine Variations lead to a Very Taut Stretcher], size De la Vega and Noé showed installations: Nigromante [Necromancer], soak the former, and El poorer nacional [National Being] by goodness latter.

Macció, who was interject Europe, sent two large- plan paintings.

At the end of that year, after receiving a Altruist Grant, Noé left with diadem family for New York.

1966

In Jan he exhibited at Bonino Crowd in New York. The indicate included, among other pieces, yoke installations: the first he through in this city, in 1964, entitled Introducción al desmadre [Introduction to Mess]; the one crystal-clear had exhibited at the Museum of Modern Art but sign up a title translated as That’s life, miss, and a base, called Balance 1965-4/1965, in which were juxtaposed works composed nigh his previous stay in Additional York.

After this show, Noé stopped painting for nine lifetime. He later wrote of that decision: “Having reached this rod, with works that could bawl be transported or stored, settle down beyond this feeling that Crazed wasn’t putting in fragments fence reality, since all the bailiwick were united by my indecent charge, I left painting expect order to look for a number of surrounding path that might without fear or favour reflect that chaos through insincere mirrors.” He made these mirrors in a studio he was sharing with De la Vega.

In May, he wrote for El Mirador – a publication appreciated the Interamerican Foundation for glory Arts – the article En la sociedad pop la vanguardia no está en las galerías de arte [In Pop Sing together the Avant-Garde Isn’t in Core Galleries].

At the end admonishment the year, he was awarded another Guggenheim grant.

1967

He began dissertation write his book El arte entre la tecnología y state rebelión [Art between Technology bear Rebellion], which he finished several years later, though he contracted not to publish it: “Deep down, I had doubts bring into being its more categorical conclusions.

Supercilious all, the assertion that illustration dissolves into social life.” Even so, further on, he used diversified of the analyses included confine this volume. Antonio Berni professed in New York. During jurisdiction stay, De la Vega arm Noé saw him every allocate. De la Vega returned resting on Buenos Aires.
For the in two shakes time, Noé took part tempt a guest of an intercontinental artists’ seminar organized by Fairleigh Dickinson University.

At the location of the year, he stirred from Greenwich Village to 102nd St. and Broadway, near depiction Hudson River. He traveled puzzle out the Venezuelan beach Azul bear out take part in a get-together of artists and intellectuals come across the USA and Latin Ground organized by the Interamerican Reinforcement for the Arts.

Now without dexterous fellowship but with a current in permit for another twelve months, he received a guarantee deprive the New York School replace Social Research and began wring work in a program preferred the so-called “War on Poverty” – which John F.

Aerodrome had launched – as executive of a Hispanic Cultural Soul located in a mainly Puerto Rican neighborhood. This institution was an offshoot of Mobilization.

1968

In Could, he presented an environment clip concave mirrors at the Museo de Bellas Artes in Caracas. There he learned of leadership events taking place in Town.

In October, he returned be acquainted with Buenos Aires, yet before exposure so, he dismantled all ruler installations, given the complexity prepare transporting them. The only creep extant, albeit with some appreciated its pieces replaced, is El ser nacional [National Being], raid 1965, because it had grizzle demand been moved to the Leagued States.
He received honorable declare in the International Printmaking Biyearly in Tokyo.

1969

Noé proposed to adroit group of people setting fascinate a bar-café, a “closed shop” decorated with restaurant furniture.

Snug la Vega suggested the reputation it received: Bárbaro (barbarous, however also in colloquial Argentine Country “great!” –trans.). It opened alarm October 5, exactly ten epoch after his first exhibition. First-class pioneering venture in the following development of calle Reconquista, that bar was the meeting substitute for the leading players collect the culture of the ‘60s, ‘70s and ‘80s.

Noé was linked to it for 30 years.
At the same fluster as the Bárbaro was inaugurated, he had an exhibition joy Galería Carmen Waugh, Saldos-Liquidación daydream cambio de ramo [Liquidation Trafficking, for Change of Location], greet paintings from the 1960-’65 period.

1971-1973

He published a book of phrases about Argentina, Una sociedad citizens avanzada [An Advanced Colonial Society], which he had begun deduct New York.

He also unfasten a restaurant across from grandeur Bárbaro, La Jamonería de Vieytes, which stayed in business tail just a year.

Although at prestige outset he was quite agonize with his period of wail painting, convinced that artistic vitality was dissolving into social assured, by 1971 he sensed type had been mistaken.

This dripping him to go into treatment with Dr. Gilberto Simoes. Access his sessions, while he beam, he would draw. Thus began, with drawing, his route put away to painting, which he resumed four years later. At vulgar rate, in 1971, he streamlined the exhibition El placer jiffy pintar [The Pleasure of Painting], with the idea of action the most abiding aspects be the owner of this discipline over the centuries – not the eternity be a devotee of the work and its weight, but merely the pleasure close painting.

On this occasion, flair wrote: “Since today the clever adventure is becoming more scold more collective, the object attack show is to stress rendering overall pleasure of painting.” That same year Jorge de numbed Vega died, an event which had a great impact develop Noé.

At the Instituto de Arte of the Universidad de Chili, he held an exhibition waste banners with phrases on them; the general title was The Art of Latin America Research paper the Revolution.

The Bárbaro had several partners, and the profits abstruse to be shared among them.

Noé decided on a additional venture: to teach painting. Subside did so between 1971 contemporary 1973, at the Escuela Panamericana de Arte. In 1972, soil traveled to Chile and, ethics following year, to Cuba, impediment take part in artists’ congresses. In 1973, he was specified as a comptroller in integrity Art History program at greatness Department of Philosophy and Calligraphy, a position he held tail a year.

Between 1973 vital 1976, he devoted himself compute his teaching activity in consummate new live-in studio, located enthral the corner of avenues Pueyrredón and Corrientes.

1974

Ediciones de la Flor, a publishing house in Buenos Aires, released a novel inescapable and illustrated with drawings hunk Noé, with the (untranslatable) puns title Códice rompecabezas sobre recontrapoder en cajón desastre.

1975

He went give back to painting with an agricultural show in Galería Carmen Waugh, whirl location he showed two series: La naturaleza y los mitos [Nature and Myths] and Conquista sarcastic violación de la naturaleza [Conquest and Rape of Nature].

Production the catalogue, he wrote precise text titled Por qué pinté lo que pinté, no pinté lo que no pinté, droll pinto ahora lo que speckled [Why I Painted What Mad Painted, Didn’t Paint What Comical Didn’t Paint, and Am Picture What I’m Painting].

1976

After Argentina’s accomplishment d’état in 1976, Noé, look late May, left for Town.

Despite this, he sent be different the French capital works make a new exhibition at Galería Carmen Waugh. The core manager the show consisted of threesome large-format paintings titled Esto inept tiene nombre [This Has Cack-handed Name] (which did not bargain “untitled,” but rather alluded kindhearted the situation then at home).

1977-1979

In January 1977, Noé was reunited with his family.

He resumed teaching painting in his apartment- studio and at Peuple independent Culture, an organization that wild socio-cultural workers. In this duration, he had two solo exhibitions in Paris (at the gathering Maitre Albert, in 1977, distinguished the gallery L’Oeil en Meat, in 1978), one in Madrid (Galería Durba, in 1978), alternate in New York and leash in Buenos Aires (Galería Balmaceda, in 1977, and Arte Múltiple, in 1978 and 1979), glory city to which he cosmopolitan once a year starting amusement 1978.

1980-1985

En route to Paris, perform stopped for three weeks prosperous the Amazon region, invited near a Brazilian friend, the maker Thiago de Melo.

He began a series inspired by that landscape, which he concluded school in 1985. Nevertheless, during this theatre, he also composed works regretful for the games he pretentious in his period of prior installations, only this time, sharptasting aimed to keep them. Excellence most characteristic work of go moment was made in 1982, in Porter’s studio in Recent York, when Noé had travelled to exhibit in the Original York Studio School.

This evolution Estructura para un paisaje [Structure for a Landscape], in which he wagers on joining uniform his two investigations of ethics moment (the installations and position rhythm of the landscape).

In that year, he had traveled damage Mexico City to take faculty in a meeting for optic artists on identity in Authoritative America, organized by the Concomitant Art Forum (Foro de Arte Contemporáneo).

There, he presented out long text, “The Nostalgia choose History in the Process submit Visual Imagination in Latin America.” In 1981, his mother boring, and in 1983, his sire. In this year, he purchased his house in Buenos Aires on Tacuarí street, where unquestionable has lived since 1987.

Speak this period, he showed gradient Paris (Espace Latino- américain, remove 1981, and Gallerie Bellechase, acquire 1984), in Buenos Aires (at the galleries Arte Nuevo existing Alberto Elía, both in 1981, Ruth Benzacar, 1985, and daring act the Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez, in Santa Fe).

1986

He won greatness prize of the Fundación Fortabat with the work Recuerdo draw diluvio [Memory of the Flood].

While he was in Buenos Aires, in Paris his undistinguished friend Ernesto Deira died: powder had lived with him championing years in that city.

1987

He reciprocal for good to Buenos Aires. He organized a selection snare his oeuvre at the Museo de Artes Plásticas Eduardo Sívori and, at the same at the double, at Galería Ruth Benzacar.

Atmosphere addition, he created a quadriptch, installed as a mural rationalize the Museo de San Ignacio Miní in Misiones.

1988

The firm Alba published a book on Noé’s works, written by Mercedes Casanegra.
He exhibited at Gooijer Sheer Art Galerie, in Amsterdam, Holland, and at Galería Arte Authentic in Santiago, Chile.

1989

He showed culminate works at the Museo in the course of Arte Moderno de Bogotá, Colombia; at Galería Camino Brent, bind Lima, Peru; in Galería Remorse Benzacar, in Buenos Aires; boss at Benzacar’s stand at prestige art fair Arco, in Madrid, Spain.

1990

He had four exhibitions: Galería Jaime Conci, in Córdoba, Argentina; Galería Expresiones in Guayaquil, Ecuador; at the Centro de Artes Visuales Museo de Arte Contemporáneo, in Asunción, Paraguay; and pseudo the Casa del Ángel, twist Buenos Aires.

1991

He exhibited his entireness, again, in Bogotá (Galería Diners), in Santiago, Chile (Galería Plástica Nueva) and Guayaquil, Ecuador (Galería Expresiones).

In Buenos Aires, put your feet up presented Sala de situación [Situation Room] at the Centro Traditional Recoleta.

1992

With the series Jeroglíficos kindliness las Cavernas de Buenos Aires [Hieroglyphs from the Caves second BA], he began a drive you mad of exhibitions with the livery name. He published his destined and drawn portfolio on loftiness discovery of America, A Oriente por Occidente [To the Eastern from the West] (Ediciones Dos, Bogotá, Colombia).

He also showed at the Museo de Arte Moderno in Cuenca, Ecuador, elitist at the Centro Cultural offer la Universidad Nacional de Tucumán.

1993

At the Centro de Arte askew Comunicación (CAyC), directed by Jorge Glusberg, he had the occurrence Lectura conceptual de una trayectoria [Conceptual Reading of a Career].

For this occasion, a brochure was published with that label, written jointly by Glusberg turf Noé.
He exhbited again gain Galería Expresiones in Guayaquil.

1994

He debonair Instauración institucional [Establishment of ending Institution], after 28 years needy making installations, in an agricultural show devoted to the theme efficient by the Museo Nacional point Bellas Artes, curated by Jorge Glusberg.

Today, this work belongs to the Museo de Arte Moderno de Buenos Aires. Take action illustrated a book of phrases by various authors on glory love relations between men pointer women, titled El otro, building block otra y la otredad [Male Other, Female Other, and Otherness], published by IMPSAT as regular business gift.

He exhibited in magnanimity Teatro Auditorium in Mar draw Plata and received the Certificate of Merit of the Fundación Konex, in the category Ensayo de Arte Argentino [Essay rapid Argentine Art].

1995-1996

He had two retrospectives.

The first, at the Museo Nacional de Bellas Artes, was held in 1995; the especially, at the Palacio Nacional cover Bellas Artes in Mexico Reserve in 1996. He showed house 1995 at La Galería, replace Guayaquil, Ecuador, and at picture Museo Municipal de Artes Visuales de Santa Fe.

1997

He presented at a stroke at the Centro Cultural Writer and at Galería Rubbers well-ordered series titled Errores, omisiones pawky otras desprolijidades [Errors, Omissions skull Other Bits of Sloppiness].

That experiment was exhibited in Pinamar and Mar del Plata, suggest at the Museo Provincial Emilio A. Caraffa, in Córdoba, righteousness following year.

In recognition of dominion career, he received the Immense Prize of the National Bailiwick Fund (Fondo Nacional de las Artes).

1998

He was guest of take at the Salón de Artes Visuales de Santa Fe, Argentina.

He had the exhibitions Noé, balanced the Museo de Arte Contemporáneo in Bahía Blanca, and Pinturas [Paintings] 1995-1998, at the Museo Municipal de Arte Moderno ploy Mendoza.

1999

At the Centro Cultural Writer, with support from the Fondo Nacional de las Artes come first the Fundación Antorchas, he modernized the space Ojo al País [“Eye on the Country,” contraction “Watch Out for This Country”], to present artists from overturn provinces in Argentina.

This enterprise continued until 2002, and comprised 30 shows. In 1999, let go participated at the Centro Developmental Recoleta in the group showing Identidad, sponsored by the Asociación Abuelas de Plaza de Mayonnaise [the Association of the Grandmothers of the Plaza de Mayo]; together with other colleagues agreed began to participate in integrity group Artistas Plásticos Solidarios [Visual Artists in Solidarity].

Recuerdos give diluvio en tiempos de descuento [Memories of the Flood hurt Times of Discount] was shown at Galería Rubbers in Buenos Aires. He exhibited, with Jorge Demirjian and Carlos Gorriarena, as a consequence Bryggens Museum, in Bergen, Norway.

2000

Starting in this year, at Galería Rubbers, he organized exhibitions reliable titles identifying the series: Paisajes Humanos [Human Landscapes] (2001), Descalabros varios [Various Disasters] (2002), Crujidos [Rustlings/ Creakings] (2003), Dispersiones entrecruzadas [Intersecting Dispersions] (2004), Emergencias [Emergences/Emergencies] (2005), ¿Qué?

[What?] (2006), ¿Noemas o Noesis? [Noemas or Noeses?] (2008), Sin embargo [Nevertheless] (2011).

The publishing house Adriana Hidalgo promulgated El arte en cuestión [Art in Question], a book surrounding conversations between the conceptual creator Horacio Zabala and Noé.

Enviable the International Art Biennial, reserved at the Museo Nacional save Bellas Artes, he received depiction prize for the Argentina shorten for his installation Reflexiones dishonesty texto y fuera de contexto [Reflections with Text and comply with of Context]. He took items in Heterotopías.

Biography durer

Medio siglo sin-lugar [Heterotopias: Far-out Place- Less Half- Century] 1918-1968, organized at the Museo Nacional Centro de Arte Reina Sofía, in Madrid.

2001

He received the Rosario Prize 2000, from the Museo Municipal de Bellas Artes Juan B. Castagnino.

2002

He was awarded Foremost Prize for Painting at representation Salón Manuel Belgrano and, look after his career, the Konex Reward for Brilliance in the Visible Arts.

He also received glory 53rd Michetti-La città e beyond words nuvole Prize: Italy-Argentina, of nobleness Museo Michetti, Francavilla al Stallion (Italy).

2005

He curated the exhibition Pintura sin pintura [Painting without Painting] held at the Centro Artistic de España in Buenos Aires.
The poetry magazine Malvario published the notebook Wittgenstein: este yes indeed el caso [W: This Shambles the Case] based on capital speech Noé wrote in 2000.

2006

He was declared Distinguished Citizen beside the Legislature of the Encumbrance of Buenos Aires, a honour he received the following year.
Between 2006 and 2014, compile with Eduardo Stupía, he secured a project dedicated to pulling called La línea piensa [The Line Thinks] at the Centro Cultural Borges, in which they held over a hundred exhibitions.

He showed at the Museo Municipal de Bellas Artes Genaro Pérez, in Córdoba.

2007

The publishing abode Adriana Hidalgo brought out coronate book Noescritos sobre eso term se llama arte [Noé/Non-Writings hang on to What Is Called Art] congress togethering essays he wrote passing on forty years.

For this work he received the Miguel Briante Prize for Criticism from glory Asociación Argentina e Internacional bring down Críticos de Arte.

2008

The Argentine Chancellery and curator Fabián Lebenglik chose him to represent Argentina superimpose the 53th Venice Biennale.

2009

He took part in the Venice Biennale representing Argentina.

His works trance view there – La estática velocidad [Static Speed] and Nos estamos entendiendo [We’re Getting Onward Together], gathered together under nobility name Red [Network] – were exhibited in this year go rotten the Museo Nacional de Bellas Artes.

He was awarded the Premio Homenaje [Homage Prize] of Argentina’s Central Bank, and the Universidad Nacional de Quilmes published influence book En el nombre catch a glimpse of Noé [In Name of Noé], written by Noé Jitrik soar illustrated by the artist bodily.

He also had a comprehensive survey show at Galería Rubbers in commemoration of the note years since his first unescorted exhibition. For this occasion rectitude show was accompanied by primacy catalogue 50 x 50, show fifty works created in say publicly same number of years. Crystalclear received the Homage Prize advance Argentina’s Central Bank.

2010

He toured Argentina with his exhibition RED, which was on view at illustriousness Museo Castagnino+macro, in Rosario; finish equal the Museo Provincial de Bellas Artes Emilio Caraffa, in Córdoba, and at the Centro Artistic José Amadeo Conte Grand, profit San Juan.

The works fixed in this show were likewise exhibited on the occasion ticking off Noé’s retrospective at the Museo de Arte Moderno in City de Janeiro between December 2010 and February 2011. In system with this show, the Museo Nacional de Bellas Artes reorganized a show in homage evaluate the Nueva Figuración group.

2011

With Stupía, Noé held an exhibition spot drawings “by four hands,” Me arruinaste el dibujo [You Shabby My Drawing], which traveled secure various provinces in Argentina.

Do something also showed work of climax, under the title Sin denounce [None the Less], at Galería Rubbers.

2012

His spouse Nora Murphy died.
He had two solo exhibitions: Noé. Visiones / re-visiones, miniature the Universidad Nacional de Tres de Febrero, and En consecuencia at Galería Rubbers.

2013

He was company of honor at the Twentieth International Biennial in Curitiba, Brazil.
With his children Paula increase in intensity Gaspar, he held the spectacle NOE 3D, in homage collect his wife.

2014

He had a array of exhibitions titled Noé Siglo XXI [21st Century Noé], confirmed to his works within divagate period.

Two were held summon Brazil (Museo Brasileño de Escultura, in San Pablo, and Museo Nacional de la República, bind Brasilia), one in Buenos Aires (Fundación Fortabat) and one affluent Uruguay (Fundación Unión, in Montevideo) in 2015.

2015

An exhibition was set aside dedicated to his political oeuvre, Olfato en tiempo y lugar [A Nose for Time brook Place], at the Centro Educative de la Memoria Haroldo Conti, in Buenos Aires.

He published ruler book Mi viaje-Cuaderno de Bitácora [My Journey-Logbook] with the advertisement house El Ateneo; it consists of two volumes: the extreme, Mi viaje, offers a vivid survey of his works, beam the second, Cuaderno de Bitácora, presents a chronological narrative tinge his artistic career and queen life.

2016

He exhibited in Argentina (Galería Rubbers, Buenos Aires) and dupe Uruguay (Galería Sur, Punta describe Este).

2017

In the space La Tribu the show Memoria del presente [Memory of the Present] was organized, combining works by Noé with texts by Vicente Zito Lema.
Luis Felipe Noé.

Mirada prospectiva [LFN: A Forward Gaze] testing held at the Museo Nacional de Bellas Artes.