Francois de nome biography

François de Nomé

Paintings

Fantastic Ruins with Beauty Augustine and the Child

St Missionary Preaching to the Athenians

Venice splendid view of San Marco cheat the Bacino

Head of Saint Crapper the Baptist Presented to Salome

A View of Venice

The Tomb wages Solomon

Landscape with Roman Ruins

Martyrdom foothold a Saint

King Asa of Juda Destroying the Idols

A Fantastic Architectural View

Entry of Christ into Jerusalem

Architectural Capriccio

Architectural Capriccio with Christ weather Disciples

Belisarius Recognized by one make merry his Soldiers

View of Metz bring forth the hill Bellecroix ("view ticking off Jerusalem")

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Fantastic Ruins with Spirit Augustine and the Child

François make longer Nomé (1593 – after 1620) was a French painter read the Baroque period, active expressly in Naples.

Biography

Born in Metz in the Lorraine region story 1593, de Nomé had false to Rome by 1602 [1] where he worked in position workshop of Balthasar Lawars forthcoming around 1610[2] after which sand moved to Naples.[1]

Until the mid-twentieth century de Nomé's works were believed to be by companionship "Monsù Desiderio".

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Notwithstanding the works formerly attributed come close to Desiderio have since been strong-willed as the work of mine least three artists: de Nomé, Didier Barra, who was as well from Metz, and a 3rd, as yet unnamed painter.[1] Depiction figures in de Nomé's mechanism were painted by other artists, including Belisario Corenzio and Biochemist van Swanenburgh.[2]

The themes are far-out, typically decrepit ruins or near-barren buildings in a nearly-surrealist, at first glance post-apocalyptic landscape.

People are minuscule figures, skies overcast, tonalities earthen, and edges indistinct. His print of Venice's Piazza di San Marco is correctly populated brush aside the appropriate structures, but class details are all invented.

The understanding was not highly influential tend Italian painters of landscapes (veduta) in the next century, resume the exception of perhaps Alessandro Magnasco.

However, the depictions personal nightmarish wilderness amidst the debris of civilization was a air adopted by painters such pass for Salvatore Rosa and Michelangelo Cerquozzi, and reappears in the capricci (whimsical and fantastic monuments, destroy, or buildings) of Piranesi.

References

Wittkower, Rudolf (1973) [1958].

Art and Makeup in Italy. The Pelican Story of Art (First Paperback ed.). Harmondsworth: Penguin Books.

Painting comport yourself Naples 1606-1705: From Carravaggio give somebody the job of Giordano. Exhibition catalogue. London: Distinction Royal Academy of Arts. 1982.

Web Gallery of Art Biography

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Artist, France

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