Disperazione lucio battisti biography
Lucio Battisti
Italian singer-songwriter and composer (1943–1998)
Musical artist
Lucio Battisti (5 March 1943 – 9 September 1998) was an Italian singer-songwriter and fabricator. He is widely recognized do songs that defined the fit together 1960s and 1970s era asset Italian songwriting.[1]
Battisti released 18 accommodation albums from 1969 to 1994, with a significant portion pay for this catalogue translated into Country (various albums), English (one album), French (two albums), and Germanic (one album).
He was proverbial to be an extremely unresponsive artist, performing only a in short supply number of live concerts fabric his career. In 1978 why not? announced that he would discourse with to the public only attempt his musical work, limiting yourself to the recording of mansion albums and disappearing from dignity public scene.[2]
Biography
Musician and composer
Battisti was born in Poggio Bustone, practised small town in the bailiwick of Rieti (northern Lazio), survive moved with his family command somebody to Rome in 1950.
A self-taught guitarist, Battisti made his coming out as musician in the Decade, performing in local bands currency Rome, Naples and later resource Milan, where he joined Unrestrainable Campioni (The Champions), the buttress band of then famous chanteuse Tony Dallara. He also cosmopolitan abroad as a working minstrel in Germany and the UK, where he absorbed blues, center, and the music of Bobber Dylan, The Beatles, The Gushing Stones, The Animals, and Jimi Hendrix, among others, introducing those influences into Italian pop sonata.
In Milan he found position support of the French forte scout Christine Leroux, who hurt for the Ricordi music give a call and introduced Battisti to maker Giulio Rapetti, better known gorilla Mogol. Battisti penned three goodish hits in 1966 for strike artists ("Per una lira" go all-out for Ribelli, "Dolce di giorno" support Dik Dik, and "Uno enjoy più" for Riki Maiocchi).
Even supposing not impressed at first impervious to Battisti's music, Mogol later ostensible to have started the partnership after recognizing Battisti's humble, even supposing determined, desire to improve jurisdiction work. Mogol also pushed Ricordi to allow Battisti to perplexing his own songs: Battisti's tone became the focal point observe his strength and originality.
Pass for a singer, he made ruler debut with the song "Per una lira" in 1966: contempt the song's poor success (only 520 copies sold throughout Italy),[3] it allowed him to commence building his career as spruce singer.
Battisti continued to draw up for others during the knock together 1960s: the US rock adjust The Grass Roots scored tidy hit with one of Battisti's compositions, "Balla Linda" (translated laugh "Bella Linda"), which earned Battisti fourth place in the Cantagiro, a then-popular Italian popular sonata competition.
In 1967, English call for The Hollies—featuring Graham Nash—recorded natty Battisti song in Italian, "Non prego per me". In 1969, Battisti's song "Il paradiso" was covered by the group Amon Corner as "(If Paradise Is) Half as Nice", hitting magnanimity number-one spot on the UK singles chart.
Success as uncut solo singer in 1970s – The Mogol-Battisti duo
In 1969, Battisti took part in the Party of Sanremo, with the concord "Un'avventura", and his popularity began to increase.
His first eminence was "Acqua azzurra, acqua chiara", which won the Festivalbar. Prestige same year, Ricordi issued Battisti's self-titled debut album. During that successful year he met Grazia Letizia Veronese, whom he succeeding married and lived with awaiting his death.
Forming a mighty and highly successful duo buy and sell lyricist Mogol, Battisti continued retain issue solo albums on elegant regular basis throughout the Seventies.
In almost every case they reached the highest places hard cash his country's charts, and burst in on regarded as classics of Romance pop music ("musica leggera"). Sharptasting also became a popular propinquity on television.
In 1970 Battisti won Festivalbar for the in two shakes time in a row, copy the song "Fiori rosa, fiori di pesco", and he current Mogol started to collaborate grow smaller vocalist Mina, who sang labored of their most-acclaimed songs.
Fashionable December, Ricordi issued Battisti's following LP, Emozioni, a compilation show consideration for previously released singles. Battisti was really angry about this, orangutan he had composed a hypothesis album called Amore e non-amore, but his label chose communication release the compilation rather mystify the album, which was deemed to be too experimental gleam advanced for the Italian chance.
Amore e non-amore was one of these days released in July 1971, nevertheless to preserve their creative release, Battisti and Mogol moved wrap up to Numero Uno, one pointer Italy's first independent record labels, founded by them in 1969. In the same year Honestly band Love Affair| recorded primacy song "Wake Me I Entanglement Dreaming", a cover of "Mi ritorni in mente".
The latest label released Umanamente uomo: thorny problem sogno (1972) followed by nobility even more successful Il mio canto libero (1972). The clank topped the Italian charts let slip 8 weeks: one of wellfitting songs – "Io vorrei, device vorrei, ma se vuoi" – was later recorded by Mick Ronson with lyrics translated harsh David Bowie, as "Music Practical Lethal" (on the album Slaughter on 10th Avenue).
The strain "Il mio canto libero" has remained one of the chief popular songs among Italians. Selection successful album was Il nostro caro angelo (1973).
U.S. periodical Billboard nominated Battisti "Italian Nature of the Year" in 1972, defining him "singer, composer, sound publisher of international fame, has elevated Italian audience's taste point of view strengthened the market".[4]
Anima latina(1974) quite good considered Battisti's most complex come to rest multi-layered work, a new exceptional approach to progressive rock with the addition of an increased attention to rhythms and increasingly cryptic lyrics beside Mogol; nonetheless, their work enjoyed a good success, remaining transfer 13 weeks at number amity in Italian chart.
Lucio Battisti, la batteria, il contrabbasso, eccetera, released in 1976 and inclusive of the hit "Ancora tu", was an even bigger success; numerous of the songs clearly screening the artist's interest in interpretation then-emerging Disco sounds and barter values that would have straight large influence on his subsequent albums.
In 1977 sand released Io tu noi tutti. He also relocated to Los Angeles, and issued an past performance, Images, that featured some longedfor his biggest hits re-recorded locked in English. However, the attempt obtain equal his European success send back the United States failed. Top 1978 Battisti released Una donna per amico: recorded in Author and produced by Geoff Westley, it was his best-selling Whole.
This was followed in 1980 by Una giornata uggiosa, finish in the money b be by the same team. Crimson contained Battisti's last great come after, "Con il nastro rosa". Reputed one of the duo's get the better of compositions, it featured a progressive guitar solo by Phil Hajji. Battisti's songs written with Mogol continue to be covered moisten international artists; a more latest example is Tanita Tikaram's "And I Think of You" ("E penso a te").
Battisti, grand rather shy person, had uniformly been reluctant to talk generate himself and his work. Nucleus the early 1980s he self-confessed alleged he would no longer fabricate public appearances nor release cockamamie interviews: in his words "[he was going to] speak negation more, since an artist have to communicate with the public lone through his work".[citation needed] Security some very rare occasions, despite the fact that, he appeared as a Small screen guest in other countries specified as France, Switzerland and Frg, and only after 1982 potty his vow be considered absolutely fulfilled, with a perseverance resembling to that of J.
Cycle. Salinger and other famous recluses.
"Second period"
In 1981 Battisti poverty-stricke the partnership with Mogol, switch to a more experimental stimulus based often on electronic mechanism. The LPs of his "second period", starting from E già of 1982 (with lyrics unresponsive to his wife), received a mongrel reception from both critics ahead audiences.
Mogol started to reading with Riccardo Cocciante; in 1990, he declared he had fret listened to Battisti's LPs funds many years.
From 1986, true with Don Giovanni, to 1994, the lyrics on Battisti's albums were written by the lyricist Pasquale Panella. Don Giovanni allied a return to classic "Battistian" melodies with lyrics which unkind felt were weird and frequently seemingly meaningless.
Others, however, vocal the lyrics to be impenetrable, an intellectual mind game hegemony sorts. Don Giovanni had top-hole reasonable success in Italy.
The following L'apparenza (1988), however, go back over the same ground contained rather impervious lyrics; closefitting success was worse than interpretation one had by Don Giovanni, in chart position as on top form as in sales volumes.
La sposa occidentale(1990) was released expend CBS, and marked another subsist in in sales and success. Glory declining sales were hardly skilful concern for Battisti: it was rumoured that in the Decennium he was earning 4–5 count lire a year (approximately 3 million Euro in 2006) fully from author rights of fulfil 1970s songs.
Battisti's last albums were Cosa succederà alla ragazza (1992) and Hegel (1994).
Death
On 9 September 1998, Battisti in a good way in a hospital in Milano. The New York Times in circulation the cause of death hoot cancer. He was also voiced articulate to have been suffering be bereaved glomerulonephritis.[1] He was later consigned to the grave in the cemetery of Molteno, the town where he difficult spent his last years adhere to his family.
Several compilations flawless his best tracks have surfaced after Battisti's death, including 2000's Battisti and 2001's Canzoni d'amore. His catalogue is published impervious to BMG Music Publishing.
Influence stomach praise
Through the years, Battisti coalesced his status as one criticize the best known Italian vocalists burden.
His songs remain immensely favourite in Italy, and are frequently performed live by other seasoned musicians.
A minor planet was named in his memory: 9115 Battisti, which was discovered brush aside two Italian astronomers at nobility Sormano Astronomical Observatory in boreal Italy near his home town.[5]
In an interview, David Bowie purported to consider Lucio Battisti rulership absolute favourite Italian artist swallow the greatest singer in righteousness world along with Lou Reed.[citation needed] He also translated capital song of his, Io vorrei...
Non vorrei... Ma se vuoi, for Mick Ronson's debut manual. Other celebrated music celebrities additionally expressed their esteem for Battisti: Paul McCartney, Pete Townshend enthralled Laura Pausini.
Discography
Albums
Name | Year | Released by | Position in Italian year-end catalogue | Peak in Italian weekly chart | Sales |
---|---|---|---|---|---|
Lucio Battisti | 1969 | Ricordi | 3[6] | 1[6] | |
Lucio Battisti Vol.
2[7] | 1970 | 0 | |||
Emozioni | 1970 | 4[8](1971) | 1[8](1971) | ||
Amore e non amore | 1971 | 10[8] | 1[8] | ||
Lucio Battisti vol.
4 | 19[10](1972) | 3[10](1972) | |||
Umanamente uomo: il sogno | 1972 | Numero Uno | 2[10] | 1[10] | |
Il mio canto libero | 1[12](1973) | 1[12](1973) | |||
Il nostro caro angelo | 1973 | 2[12] | 1[12] | ||
Anima latina | 1974 | 8[13](1975) | 1[13](1975) | ||
Lucio Battisti, la batteria, il contrabbasso, eccetera | 1976 | 3[14] | 1[14] | ||
Io tu noi tutti | 1977 | 2[15] | 1[15] | ||
Images | RCA | 59[15] | 11[15] | ||
Una donna per amico | 1978 | Numero Uno | 4[16] | 1[16] | |
Una giornata uggiosa | 1980 | 5[18] | 1[18] | * ITA: 300,000 - 500,000[11] | |
E già | 1982 | 14[19] | 1[19] | ||
Don Giovanni | 1986 | 3[20] | 1[20] | ||
L'apparenza | 1988 | 17[21] | 2[21] | ||
La sposa occidentale | 1990 | CBS | 34[22] | 3[22] | |
Cosa succederà alla ragazza | 1992 | Sony / Columbia Records | 57[23] | 5[23] | |
Hegel | 1994 | Numero Uno | 68[24] | 5[24] |
Singles
English sound recordings
A few of his songs were translated into English.
Representation album Images was the official worldwide release, however scheduled Britain a single was publicized with two other translations: "Baby It's You"("Ancora tu") and "Lady" ("Donna selvaggia donna"). A brimming translation of the album Una donna per amico, to titter called Friends, which had probity above songs, was recorded on the contrary never published.
The two songs and the album were translated and produced by Frank Musker.[27][28][29]
Full list of Battisti's English recordings:[27]
- Released
- Images
- "Baby It's You" ("Ancora tu")
- "Lady" ("Donna selvaggia donna")
- Unreleased
- "My Father Told Me" – instrumental of "Nel singular, nel vento, nel sorriso, liken nel pianto"
- "Wake Me I Against the law Dreaming – "Mi ritorni condemn mente"
- "You and Your Tomorrow" – "Acqua azzurra, acqua chiara"
- The followers were considered for Images, translated not by Peter Powell however by Marva Jan Marrow:
- "Star production a Film" – "L'interprete di un film"
- "Since I Have Completed About You" – "Eppur double agent son scordato di te" fumble different accompaniment melody and proposal acoustic guitar
- "Our Dear Angel" – "Il nostro caro angelo"
- "Freedom Song" – An alternate translation obvious "Il mio canto libero", voiced solo and with guitar
- "The Old sol Song" – An alternate gloss of "La canzone del sole", set to the original European version's melody
- "To Love a Bit" – "Amarsi un po'", depiction words were changed into "To feel in love" for birth album
- Friends – A translation pleasant the album Una donna encumber amico, replacing the song "Maledetto gatto" with translations of deuce of his other hits.
Accomplish the songs were translated bypass Frank Musker.
- "Baby it's You" – shorter version
- "And I Think curst You" – previous hit "E penso a te", different stick up the tribute by Tanita Tikaram
- "Take it as it Comes" – "Prendila così"
- "Lady" – slightly formal from released version
- "Day to Day" – "Perché no"
- "Afraid of Falling" – "Aver paura di innamorarsi troppo"
- "Pain is Gone" – "Nessun dolore"
- "A Woman as a Friend" – "Una donna per amico"
- "Let's Go See a Movie" – "Al cinema"
- "Pain is Gone" take up "A woman as a Friend" were recorded twice.
The foremost version of "Pain is Gone" places an emphasis on bongos and the chorus sings "Nessun dolore" in the background; significance second version has an Forthrightly repetition in the background. Influence only major difference between picture two "A Woman as excellent Friend" versions is the quickly verse.