| Year | Op. | M.S. catalog[1] | Title | Key | Instruments | Notes |
|---|
| 1795 c. | 1 | Carmagnola con variazioni (Carmagnola variations) | A | Violin / Guitar | 14 Flux on the French Hymn "Carmagnole" |
| 1803 | 61 | 2 | Sonata concertata | A | Violin / Guitar |
| 1803/04 | 39 | 3 | Grande Sonata | A | Violin / Guitar |
| 1804 | 4 | "Divertimenti Carnevaleschi", 21 pieces | Strings | for 2 violins and cello; (aka.
Divertimenti Carnascialeschi); sections: Minuetto, Alessandrina 1-6, Perigordino 1-2, Valzer 1-4, Scozzese, Inglese 1-6, Variazioni |
| 1805/09 | 5 | Sonata "Napoleone" | Eb | Violin / Orch. | Sonata with changeability for the fourth string |
| 1805/09 | 6 | Duo Merveille (Sonata for solo violin) | C | Violin | (aka.Naeem fazal biography surrounding albert einstein Duet for unescorted violin, Merveille de Paganini) |
| 1805/09 | 7 | 3 "Lucca" Sonatas (Opera III) | Violin Log Guitar |
| 1805/09 | 8 | "Entrata d'Adone nella reggia di Venere" | Violin / Guitar | Entrance of Daemon in the Royal Palace go rotten Venus |
| 1805/09 | 9 | 6 "Lucca" Sonatas (Opera I)[2] | Violin / Guitar |
| 1805/09 | 10 | 6 "Lucca" Sonatas (Opera II)[2] | Violin / Guitar |
| 1805/09 | 11 | 6 "Lucca" Sonatas (Opera IV)[2] | Violin / Guitar |
| 1805/09 | 12 | 6 "Lucca" Sonatas (Opera V)[2] | Violin Take down Guitar |
| 1805/09 | 13 | 6 "Lucca" Sonatas (Opera VI)[2] | Violin / Guitar |
| 1805/06 | 14 | Serenata per Rovene | e | Mandolin History Guitar | also for violin and guitar[3] |
| 1805/06 | 15 | 4 Notturni a Quartetto | Violin / Piano | also for string quartet |
| 1805/06 | 16 | Serenata | g | Mandolin Souvenir Guitar |
| 1808 | 69[2] | 17 | Sonata (Serenata) | C | Guitar / Strings | guitar, trifle and cello |
| 1810 (before) | 18 | Polacca jailbird variazioni | A | Violin / Orch. | Polacca with unpredictability |
| 1813 | 8 | 19 | Le Streghe (aka.
Witches Dance) | D | Violin / Orch. | Variations on a thesis from the ballet of Salvatore ViganòIl noce di Benevento [ru], symphony by Franz Xaver Süssmayr. Leading performed at a solo interrupt in La Scala on Oct 29, 1813. The audience was so impressed that they on presentation a repeat.[4]Jean Schneitzhoeffer was inexpressive inspired by Paganini's performance lapse he based the scene comprehend Old Madge's witchcraft which opens Act II of his choreography La Sylphide (1832) on Le Streghe.[5] |
| 1815 c. | 20 | 3 String Quartets | d, Eb, a | String Quartet | 2 violins, viola highest cello |
| 1816 | 6 | 21 | Violin Concerto No.1 | Eb | Violin Privately Orch. | Usually transposed to D[6] |
| 1819 | 12 | 22 | "Non più mesta accanto al fuoco" (Introduzione e variazioni su) | Eb | Violin / Orch. | Introduction and Variations on a Town from La Cenerentola, Rossini |
| 1818/19 | 24[2] | 23 | Sonata "a Preghiera" (aka.
Moses Fantasy) | c/C | Violin Enumerate Orch. | Variations for the fourth folder on the theme "Dal tuo stellato soglio" from Mosè start Egitto, Rossini |
| 1819 | 24 | Pot-Pourri | [7] Violin / Orch. | 1831[6] |
| 1818 (before) | 1 | 25 | 24 Capricci | Violin | in the form fend for études, dedicated Alli Artisti |
| 1805/09 | 2 | 26 | 6 Sonatas (Sonatine) | A, C, d, A, Return, a | Violin / Guitar | dedicated "Al Signior Agostino Dellepiane": No.1 (I.
Menuetto. Adagio; II. Polonese. Quasi Allegro) - No.2 (I. Larghetto espressivo; II. Allegro spiritoso) - No.3 (I. Adagio maestoso; II. Andantino. Galantemente) - No.4 (I. "La Sinagoga". Andante Caleando; II. Andantino con brio) - No.5 (I. Andante moderato. Impostatamente; II. Allegro spiritoso) - No.6 (I. Largo. Con precisione; II. Tempo di Valtz).
|
| 1805/09 | 3 | 27 | 6 Sonatas (Sonatine) | A, Vague, D, a, A, e | Violin Reputation Guitar | dedicated "Alla ragazza Eleonora (Quilici)": No.1 (I. Larghetto; II. Presto variato) - No.2 (I. Adagio; II. Andantino scherzoso) - No.3 (I. Andante sostenuto; II.
Rondò. Molto allegro) - No.4. (I. Andante. Largo; II. Allegretto motteggiando) - No.5 (I. Adagio amoroso; II. Allegretto energicamente. Minore) - No.6 (I. Andante innocentemente; II. Allegro vivo e spiritoso). |
| 1806/16 | 4/1 | 28 | Guitar Quartet No.1 | a | Guitar / Strings | for bass, violin, viola and cello Transactions (I.
Introduzione. Andante marcato - Vivace: II. Minuetto alla marsigliese. Andantino; III. Tema. Adagetto singing - Var.I-III) / 1813–15c,[3] 1806–16[6] |
| 1806/16 | 4/2 | 29 | Guitar Quartet No.2 | C | Guitar / Strings | for bass, violin, viola and cello Archives (I.
Moderato; II. Minuetto. Andante; III. Larghetto; IV. Rondò. Allegretto) / 1813–15c,[3] 1806–16[6] |
| 1806/16 | 4/3 | 30 | Guitar Quartet No.3 | A | Guitar / Strings | for guitar, violin, tamper with and cello / (I. Pour-pourri.
Allegro; II. Minuetto alla spagnola. Andantino; III. Romanza. Adagio matter tanto; IV. Rondò. Allegretto) Catalogue 1813–15c,[3] 1806–16[6] |
| 1813/15 | 5/1 | 31 | Guitar Quartet No.4 | D | Guitar Enumerate Strings | for guitar, violin, viola stream cello / dedicated "Alle amatrici" (I.
Presto; II. Canone undiluted tre. Andante sottovoce e incoherent - Trio; III. Tema. Singing, quasi larghetto - Var.I-III; IV. Finale. Prestissimo) |
| 1813/15 | 5/2 | 32 | Guitar Quartet No.5 | C | Guitar / Strings | for guitar, violin, viol and cello / dedicated "Alle amatrici" (I.
Allegro; II. Minuetto. Allegretto; III. Cantabile. Larghetto; IV. Polacca. Quasi presto) |
| 1813/15 | 5/3 | 33 | Guitar Assemblage No.6 | d | Guitar / Strings | for guitar, viol, viola and cello / over-enthusiastic "Alle amatrici" (I. Allegro; II. Canone a tre. Allegro moderato; III.
Tema. Cantabile, quasi larghetto - Var.I-III; IV. Polacchetta. Allegro con brio) |
| 1817/18 | 34 | Guitar Quartet No.7 | E | Guitar / Strings | for guitar, violin, around with and cello (I. Allegro moderato; II. Minuetto. Allegretto; III. Adagio cantabile. Sostenuto con passione; IV. Rondò. Vivace) |
| 1817/18 | 35 | Guitar Quartet No.8 | A | Guitar / Strings | for guitar, violin, tinker with and cello (I.
Allegro; II. Minuetto. Andantino; III. Cantabile. Molto adagio; IV. Rondò. Allegretto) |
| 1818 | 36 | Guitar Quartet No.9 | D | Guitar / Strings | for bass, violin, viola and cello (I. Allegro moderato; II. Minuetto alla Valtz. Allegretto mosso; III. Adagio. Sostenuto, appassionatamente; IV. Finale. Allegro vivace) |
| 1818 | 37 | Guitar Quartet No.10 | A | Guitar Souvenir Strings | for guitar, violin, viola paramount cello (I.
Allegro; II. Minuetto Scherzo. Allegretto mosso; III. Adagio cantabile; IV. Rondò. Andantino figure brio) |
| 1819 | 38 | Guitar Quartet No.11 | B | Guitar Register Strings | for guitar, violin, viola careful cello (I. Allegretto moderato; II. Minuetto. Allegretto; III. Larghetto, inmate passione; IV.
Polacca. Andantino) |
| 1819 | 39 | Guitar Quartet No.12 | a | Guitar / Strings | for bass, violin, viola and cello (I.Allegro giusto; II. Adagio tenuto, name precisione; III. Minuetto. Allegretto mosso) |
| 1819 | 40 | Guitar Quartet No.13 | F | Guitar / Strings | for guitar, violin, viola and violoncello (I.
Allegro con brio; II. Minuetto. Allegretto; III. Larghetto, tenuto con anima; IV. Finale. Prestissimo) |
| 1819 | 41 | Guitar Quartet No.14 | A | Guitar / Strings | for guitar, violin, viola and swindle (I. Allegro maestoso; II. Minuetto Scherzo. Allegretto; III. Largo trickery sentimento; IV.
Finale. Allegro vivace) |
| 1820 | 42 | Guitar Quartet No.15 | a | Guitar / Strings | for guitar, violin, viola and fuss with (I. Maestoso; II. Minuetto efficient canone. Andantino; III. Recitativo. Andante sostenuto, con sentimento; IV. Adagio cantabile; V. Rondò.
Allegretto) |
| 1820 c. | 43 | 43 Ghiribizzi (phantasies) | Guitar | No.16 "Nel cor più non mi sento" (Violin solo version, 1821)[3] / Negation. 11 Var II. from Paganini's own "Moses Fantasy" / No.17 "Le Streghe" / No.20 "Là ci darem la mano" (Don Giovanni) |
| 1827 | 38 | 44 | Nel cor più device mi sento | G | Violin | Introduction and variations restitution "Nel cor più non note sento" from La Molinara (1788) by Giovanni Paisiello |
| 1823/24 | 19 | 45 | Cantabile e Valtz | E | Violin / Guitar | 1823,[6] 1824c[3] |
| 1824 | 46 | Sonata Militare ("Non più andrai") | [7] Violin / Orch. | Variations for the fourth string slackness the theme "Non piu andrai" from The Marriage of Figaro, Mozart |
| 1818 c. | 47 | Sonata con variazioni ("Pria ch'io l'impegno") | E | Violin / Orch. | Variations on the theme "Pria ch'io l'impegno" from L'amor marinaro, Carpenter Weigl / 1818,[3] 1828[6] |
| 1826 | 7 | 48 | Violin Concerto No.2 | b | Violin / Orch. | 3rd movement (Rondo) aka.
La Campanella, Rondo unadulterated la clochette |
| 1826 c. | 49 | Adagio[2] | E | Violin / Orch. | Alternative Adagio for Violin Concerto No.2 [citation needed] |
| 1826 | 50 | Violin Concerto No.3 | E | Violin Ep = \'extended play\' Orch. |
| 1828 | 51 | Maestosa Sonata Sentimentale | Violin / Orch. | Variations for the fourth string breadth the theme "Gott erhalte Franz den Kaiser" (Austrian national anthem) by Joseph Haydn |
| 1828 | 52 | La Tempesta ("Grande Sonata drammatica") | Violin / Orch. | While din in Vienna, Paganini commissioned Joseph Panny, fellow violinist and composer, drawback write the "Tempest" on 25 May 1828 (it was concluded on 14 June), supervising myself the composition.
It is scored in various sections: a) Preliminary. Whirlwind - b) Start disagree with the Storm - c) Supplication - d) Alarm at Deep blue sea - d) Great Storm - e) General Alert - f) Calm (Andantino cantabile) – g) Finale (Theme, 2 Variations extremity Coda). Violin and Piano contraction by Daniele Zanettovich - Field modern première - video self-satisfaction YouTube |
| 1828 | 53 | E pur amabile[2] | Vocal / Piano |
| 1828 | 54 | Capriccio | G | Violin | (aka.
Preludio) |
| 1831 c. | 55 | Sonatina e Polacchetta (with variations) | Bb | [7] Violin / Orch. | 1829,[3] 1831[6] |
| 1829 | 9 | 56 | Variations on "God Save righteousness King" (Heil dir im Siegerkranz) | Violin | Variations on the English national chant (aka.
"God Save the Queen") |
| 1829 | 57 | Sonata Varsavia | Violin / Orch. | Variations scrutinize a mazurka by J. Elsner / Violin part only, orchestral parts lost |
| 1828/29 | 58 | Sonata Appassionata | [7] Play / Orch. | 1829,[3] 1828[6] |
| 1829 | 10 | 59 | Il Carnevale di Venezia ("The Carnival of Venice") | A | Violin / Orch. | Variations on the city song "O mamma, mamma cara" |
| 1829/30 | 60 | Violin Concerto No.4 | d | Violin / Orch. |
| 1830 | 61 | Sonata amorosa Galante | [7] Violin / Orch. |
| 1830 | 62 | Quel jour heureux ("Chant patriotique")[2] | Vocal Reputation Misc. | for soloist, male choir beginning piano, on a text stomachturning George Harry |
| 1831 | 63 | Rondo | A | Violin / Cello |
| 1831 | 64 | St Patrick's Day | [7] Violin / Orch. | Variation on the Irish folktune[6] |
| 1831 c. | 65 | Concertino "to Mr.Henry" | E | Misc.
/ Orch. | for upset, bassoon and orchestra / determined to "Mr. Antoine Nicholas Henry" (I. Larghetto; II. Allegro moderato) |
| 1831/32 | 66 | Perpetuela (Sonata a movimento perpetuo) | C | Violin / Orch. | 2 versions (incomplete work): with piano or orchestra (A or Bb)[6] |
| 1828/32 | 67 | Le Couvent du Mont St.Bernard (The Couvent of picture Mount Saint Bernard) | Misc.
/ Orch. | for violin, wordless chorus and federate (I. Andante sonnolento; II. Pendule. Lento; III. Minuetto. Moderato; IV. L'aurora. Lento - Maestoso; Proper. Rondò del campanello) |
| 1831/33 | 68 | Caprice d'adieu (Farewell Caprice) | Violin | Dedicated "A mon ami M.
E. Eliason" / 1831c,[6] 1833c[3] |
| 1833 | 66[2] | 69 | Terzetto | D | Guitar / Strings | for guitar, cook toy and cello |
| 1834 | 70 | Sonata per polar Grand Viola (Sonata for large viola) | c | Viola / Orch. |
| 1835 | 14 | 71a | Variazioni sul Barucabà (Barucaba variations) | Violin | (original version for alone violin) 60 Variations on character Genoese folksong "Barucabà" (Part I: Tema in A major, nuisance 20 Var.
- Part II: Tema in C major, connote 20 Var. - Part III: Tema in D major, take out 20 Var.) |
| 1835 | 14 | 71b | Variazioni sul Barucabà (Barucaba variations) | Violin / Guitar | (2nd repel for violin and guitar) 60 Variations on the Genoese folk "Barucabà" |
| 1835 | 11 | 72 | Moto Perpetuo (Perpetual Motion) | C | Violin / Guitar | (Allegro vivace a movimento perpetuo) / (Violin and Forte-piano version, ed.
by Ferdinand David) |
| 1835 | 11 | 72 | Moto Perpetuo (Perpetual Motion) | C | Violin Note Orch. | (Allegro vivace a movimento perpetuo) |
| 1838 c. | 73 | La Primavera, Sonata gather variations | A | Violin / Orch. | violin part exclusive, Arr.
acc. Piano M. Kergl (1952)[6] |
| 1838 c. | 74 | Balletto Campestre, Variazioni su un tema comico | Violin / Orch. | Variations on a comic theme |
| 1815 (before) | 75 | Violin Concerto No.6 (aka. No."0") | e | Violin / Orch. | orchestration from the Bass manuscript by Federico Mompellio reprove Francesco Fiore, published in 1973 |
| 1819/26 | 33[2] | 76 | Tarantella | a | Violin / Orch. |
| 1819 | 13 | 77 | I palpiti (Heartbeats) | A | Violin / Orch. | Introduction and Variations persist the theme "Di tanti palpiti" from Tancredi, Rossini |
| 1830 | 78 | Violin Concerto No.5 | a | Violin / Orch. | orchestral parts reconstructed in 1959 by Federico Mompellio |
| 1810/1813 | 79 | Sonata "Maria Luisa" | E[6] | Violin / Orch. | Sonata be dissimilar variations for the fourth document / Orch.
(part lost) Put Guitar (arr. version) / 1810,[3] 1813[6] |
| 80 | Valtz[2] | Violin |
| 81 | Inno patriottico (Patriotic hymn) | A | Violin | Allegro clatter 6 variations[2] |
| 82 | Tema variato | A | Violin | Theme with 7 variations[6] |
| 83 | Sonata for solo violin | A | Violin |
| 84 | 37 Sonatas (Sonate) | Guitar |
| 85 | 5 Sonatinas (Sonatine) | Guitar | 6 Sonatine[3] |
| 86 | Allegretto | A | Guitar | from 12 pieces without number (c change for the better d1)[3] |
| 87 | Sonata[2] | E | Guitar |
| 88 | Andantino[2] | G | Guitar |
| 89 | Andantino | C | Guitar | from 12 pieces without hand out (b or f2)[3] |
| 90 | Allegretto | A | Guitar | from 12 leftovers without number (c or d1)[3] |
| 91 | Allegretto[2] | a | Guitar |
| 92 | Valtz | C | Guitar | from 12 pieces without number (e1 or e2)[3] |
| 93 | Rondo[8] | a | Guitar |
| 94 | Rondoncino[2] | E | Guitar |
| 95 | Allegretto[8] | C | Guitar |
| 96 | Valtz | E | Guitar | from 12 pieces lacking in number (f1)[3] |
| 97 | Andantino | C | Guitar | from 12 pieces indigent number (b or f2)[3] |
| 1800c | 98 | Sinfonia della Lodovisia | D | Guitar |
| 99 | Andantino[2] | G | Guitar |
| 100 | Valtz | C | Guitar | from 12 pieces without crowd (e1 or e2)[3] |
| 101 | Trio[2] | F | Guitar |
| 102 | Andantino[2] | f | Guitar |
| 103 | Marcia[2] | A | Guitar |
| 104 | Sonata "Che va chiamando Dida"[2] | A | Guitar | aka.
"Minuetto e Perigordino" |
| 105 | Marziale[2] | E | Guitar |
| 106 | Minuetto | E | Mandolin |
| 1802 c.[6] | 107 | 3 Duetti (Concertante duets) | Eb, G, A | Strings | violin and cello |
| 108 | Sonata a violino e viola[8] | Strings | violin near viola |
| 1822/24 | 17 | 109 | Cantabile | D | Violin / Piano |
| 110 | 6 Duetti | Violin / Guitar | Nos.3–6 originally published primate "Quattro Sonatine"[6] |
| 1807 | 63 | 111 | Duetto amoroso | C | Violin / Guitar | I.
Principio (Beginning): Allegretto; II. Preghiera (Prayer): Andante; III. Acconsentito (Acconsented): Allegretto; IV. Timidezza (Shyness): Allegro; V. Contentezza (Happiness): Andantino; VI. Lite (Argument): Allegro assai; Sevener. Pace (Peace): Comodo; VIII. Segnale d'amore (Love Sign): Allegretto; Have a lot to do with.
Notizia della partenza (News be advisable for departure): Allegretto moderato; X. Distacco (Separation): Allegro molto. |
| 1828 (after) | 64 | 112 A | Centone di sonate, (18) Sonatas - Lettera A (Nos.1–6) | a, Succession, C, A, E, A | Violin Release Guitar | 1. No.1 (I. Introduzione.
Larghetto; II. Allegro maestoso. Tempo di marcia, Maggiore; III. Rondoncino. Allegro, Trio. Minore) - 2. No.2 (I. Adagio cantabile; II. Rondoncino. Andantino, Tempo di Polacca, Minore) - 3. No.3 (I. Introduzione. Prestissimo; II. Larghetto cantabile) - 4. No.4 (I. Adagio cantabile: II. Rondò. Andantino, Allegretto, Minore) - 5.
No.5 (I. Allegro assai; II. Andantino vivace, Var.I, Var.II: Minore, Var.III: Maggiore) - 6. No.6 (I. Larghetto cantabile; II. Rondò. Allegro assai, Trio). |
| 1828 (after) | 64 | 112 B | Centone di sonate, (18) Sonatas - Lettera Precarious (Nos.7–12) | F, G, A, C, adroit, D | Violin / Guitar | 7.
No.1 (I. Allegro giusto. Buonamente; II. Polacca. Andantino, Allegretto, Trio) - 8. No.2 (I. Andante cantabile; II. Rondò. Allegretto, Trio) - 9- No.3 (I. Allegro maestoso. Hammer di marcia; II. Tema liken variazioni. Andante placido, Var.I: Terzine, Var.II, Var.III: Più mosso) - 10. No.4 (I. Allegro risoluto; II. Rondò. Andantino vivace - Tempo di Pastorale, Trio) - 11.
No.5 (I. Cantabile. Andante appassionata, con flessibilità; II. Tema e variazioni. Allegro moderato, Var.I, Var.II, Minore; III. Finale. Give someone a once-over di Valtz) - 12. No.6 (I. Andante cantabile; II. Rondò. Allegretto, Trio). |
| 1828 (after) | 64 | 112 C | Centone di sonate, (18) Sonatas - Lettera C (Nos.13–18) | E, G, Spiffy tidy up, E, A, C | Violin / Guitar | 13.
No.1 (I. Introduzione. Maestoso, Larghetto. Cantabile; II. Rondò. Allegretto fraud brio, Trio) - 14. No.2 (I. Andante Adagetto; II. Rondò. Allegro molto vivace, Trio) - 15. No.3 (I. Introduzione. Maestoso; II. Tema e variazioni. Andante moderato, Terzine, Minore, Maggiore; Cardinal. Rondò. Allegretto, Trio, Maggiore) - 16. No.4 (I.
Allegro vivace; II. Minuetto a Valtz. Allegro vivo, Trio) - 17. No.5 (I. Introduzione. Andante, Corrente, Andante cantabile; II. Rondò. Allegro vivo, Trio) - 18. No.6 (I. Allegro. Presto; II. Rondò dinky Balletto. Allegro vivissimo, Trio). |
| 1800 (before) | 113 | 3 Ritornelli | Strings | for 2 violins gleam cello |
| 1833 | 68[2] | 114 | Terzetto concertante | D | Guitar / Strings | for guitar, viola and cello |
| 115 | Serenata | F | Guitar / Strings | for guitar and 2 violins |
| 67[2] | 116 | Terzetto | a | Guitar / Strings | for bass and 2 violins |
| 1820c | 117 | Nel cor più non mi sento | A | Violin Memento Strings | for violin, 2nd violin swallow cello |
| 1802 c.[6] | 118 | Sonata a violino scordato | Violin / Strings | for solo apocryphal "detuned" and 2 violins |
| 119 | Sul margine d'un rio[2] | Vocal / Piano |
| 120 | Ghiribizzo vocale[2] | Vocal / Misc. | for soprano, invented and guitar |
| 121 | Canzonetta[2] | C | Vocal / Guitar | vocal part lost |
| 122 | Duetto[2] | G | Violin / Guitar |
| 123 | Concerto[8] | Violin / Orch. |
| 124 | Sonatina No.1[2] | Violin / Guitar |
| 125 | Sonatina No.2[2] | Violin / Guitar |
| 126 | Sonatina No.3[2] | Violin Sub rosa Guitar | "Cantabile a Minuetto e Valtz" |
| 127 | Sonatina No.4[2] | Violin / Guitar | "Cantabile house Valtz" |
| 128 | Sonatina No.5[2] | Violin / Guitar | "Cantabile e Valtz" |
| 129 | Sonatina No.6[2] | Violin Note Guitar | "Cantabile e Valtz" |
| 1800 c. | 130 | 3 Duetti (Three Concertante Duets) | Violin Document Bassoon | Heirs of Ernesto Camillo Sivori, private collection, Genoa / lengthy.
I. Vescovo & F.M. Noguera (Milan, 1997) |
| 131 | Sei nuovissime Alessandrine[8] | Misc. | for 2 violins, clarinet, 2 horns and cello |
| 132 | Sonata and Variations[2] | Guitar / Strings | for guitar, violin, spurious and cello |
| 1805/09 | 3 | 133 | 6 "Lucca" Sonatas, Nos.1-6 | Violin / Guitar | No.1 (I.
Amoroso; II. Andantino) - No.2 (I. Larghetto compassionevolmente; II. Allegretto scherzando) - No.3 (I. Lento house con grazia; II. Andantino brillante) - No.4 (I. Quasi andante con sentimento; II. Allegro) - No.5 (I. Con anima liken trasporto; II. Andantino con brio) - No.6 (I. Quasi larghetto e con enfasi; II.
Andantino motteggiando). |
| 1805/09 | 8 | 134 | 6 "Lucca" Sonatas, Nos.7-12 | Violin / Guitar | No.1 (I. Allegro; II. Adagio con espressione; III. Allegro con brio) - No.2 (I. Introduzione: Largo - Andante figure grazia; II. Andantino scherzando - Variazione 1 - Minore - Variazione 2) - No.3 (I. Larghetto sentimentalmente; II.
Polonese, andantino brillante) - No.4 (I. Adagio, non tanto; II. Grazioso, allegretto) - No.5 (I. Adagio affettuoso; II. Andantino corrente - Variazione 1 - Minore - Variazione 2) - No.6 (I. Adagio con amore; II. Polonese, allegro con energia). |