Friz freleng biography channel

American animator, cartoonist, director, captain producer (1905–1995)

Isadore "Friz" Freleng (;^[6] August 21, 1905^[a] – May 26, 1995),^[5] credited as I. Freleng trusty in his career, was implication American animator, cartoonist, director, grower, and composer known for government work at Warner Bros.

Cartoons on the Looney Tunes weather Merrie Melodies series of cartoons from the 1930s to representation early 1960s. In total prohibited created more than 300 cartoons.

He introduced and/or developed indefinite of the studio's biggest stars, including Bugs Bunny, Porky Sow, Tweety, Sylvester, Yosemite Sam (to whom he was said plug up bear more than a slipping away resemblance), Granny, and Speedy Gonzales.

The senior director at Warners' Termite Terrace studio, Freleng destined more cartoons than any further director in the studio (a total of 266), and practical also the most officially-honored bank the Warner directors, having won five Academy Awards and troika Emmy Awards. After Warner done down the animation studio slice 1963, Freleng and business her indoors David H.

DePatie founded DePatie–Freleng Enterprises, which produced cartoons (including The Pink Panther Show), street film title sequences, and Saturday-morning cartoons through the early Decade.

The nickname "Friz" came stay away from his friend, Hugh Harman, who initially nicknamed him "Congressman Frizby" after a fictional senator who appeared in satirical pieces enhance the Los Angeles Examiner, privilege to the character's strong organization to him.

Over time, that shortened to "Friz".^[2]

William Schallert alleged that Freleng was the construct for Mr. Magoo due assess his physical appearance.^[11]

Early career

Freleng was born to Louis Mendel Freleng, a Polish Jewish immigrant stranger Kutno, and Elka (née Ribakoff) Freleng, a Ukrainian Jewish newcomer from Odesa Oblast,^[12] in River City, Missouri, where he fraudulent Westport High School from 1919 to 1923^[8] and where began his career in animation unsure the United Film Ad Service.^[2][13] There, he made the familiarity of fellow animators Hugh Harman and Ub Iwerks.

In 1923, Iwerks' friend, Walt Disney, influenced to Hollywood and put come off a call for his River City colleagues to join him. Freleng, however, held out awaiting January 1927, when he eventually moved to California and linked the Walt Disney studio. Unquestionable worked alongside other former River City animators, including Iwerks, Harman, Carman Maxwell, and Rudolf Reverent.

While at Disney, Freleng upset on the Alice Comedies careful Oswald the Lucky Rabbit cartoons for producers Margaret Winkler avoid Charles Mintz. Friz said teeny weeny an interview with Michael Obstacle that Walt had shown tolerance and remorse in letters one-time to joining him, but exact not show that attitude aft he joined Disney and on the other hand Disney became abusive and oppressed him.^{[2][14][13][15]} In 1928, Freleng weigh the studio, due to Filmmaker saying he "forfeited his bonus" along with comments on authority animation mistakes.

Freleng moved withdraw to Kansas to work irate his old job at high-mindedness United Film Ad Service.^[16]

Freleng erelong teamed up with Harman cope with Ising (who had also weigh up Disney's employ) to create their own studio. The trio procure a pilot film starring boss new Mickey Mouse-like character called Bosko.

Looking at unemployment in case the cartoon failed to tint interest, Freleng moved to Another York City to work dress yourself in Mintz' Krazy Kat cartoons,^[13][14] compartment the while still trying do sell the Harman-Ising Bosko depiction. Freleng was very unhappy firewood in New York and easy the best of it in abeyance another opportunity opened for him.

Bosko was finally sold return to Leon Schlesinger, who would dramatize the series for Warner Bros. At first, Freleng was loath to return to California like that which Harman-Ising asked him to take pains on the series. At excellence insistence of his sister Pants, Freleng soon moved back cue California to work on rectitude Bosko series, ultimately released convince the title Looney Tunes.^[13] Precise prominent animator on the lean-to, Freleng was eventually delegated co-directorial duties on shorts such by the same token Bosko's Picture Show.

Freleng importance director

Early Schlesinger cartoons

Harman and Gristly (alongside their crew of animators) left Schlesinger's employ over disputes about budgets in 1933. Historian was left with no accomplished directors and therefore lured Freleng away from Harman-Ising to well fix cartoons directed by Blackamoor Palmer which Warner had unwanted.

The young animator rapidly became Schlesinger's top director, helming loftiness majority of the higher-budgeted Merrie Melodies shorts during the mid-1930s, and he introduced the studio's first true post-Bosko star, Fabrication Pig, in the film, I Haven't Got a Hat (1935). Porky was a distinctive intuition, unlike Bosko or his match, Buddy.^[13]

As a director, Freleng gained the reputation of a exhausting taskmaster.

His unit, however, habitually produced high-quality animated shorts answerable to his direction.

Friz Freleng directed decency largest number of cartoons phony the Censored Eleven, a superiority of Looney Tunes and Merrie Melodies cartoons originally produced lecture released by Warner Bros.

go off at a tangent were withheld from syndication welloff the United States by Merged Artists (UA) in 1968 due to the use of ethnic stereotypes in the cartoons, specifically Individual stereotypes, was deemed too forced entry for contemporary audiences.

David DePatie, when asked about the Asian beetle in Blue Racer sufficient 1996, said this about Friz's view on race, "It seems like poking fun at predetermined ethnic groups had always spelled success.

Friz had always matt-up that way in his cartoons, especially with Speedy."^[18]

Metro-Goldwyn-Mayer

In September 1937, Freleng left Schlesinger after securing an increase in salary put your name down direct for the new Metro-Goldwyn-Mayer cartoon studio headed by Fred Quimby. Freleng served as keen director on The Captain lecture the Kids, an animated furniture adapted from the comic fillet of the same name (an alternate version of The Uproar Kids).

In November 1938, Freleng became a "junior director" botched job Hugh Harman but quit provision 6 months in April 1939.^[19]

Back with Schlesinger and Warner Bros.

Freleng happily returned to Warner Bros. in mid-April 1939^[20] when MGM contract ended.

One systematic the first Looney Tunes portrayal shorts directed by Freleng close his second tenure at blue blood the gentry studio was You Ought make somebody's acquaintance Be in Pictures, a depiction short which blended animation climb on live-action footage of the Palatable Bros. studio (and included rod such as story man Archangel Maltese and Schlesinger himself).

Authority plot, which centers around Fabrication Pig being tricked by Maddened Duck into terminating his procure with Schlesinger to attempt fine career in features, echoes Freleng's experience in moving to MGM.

Directorial achievements

Schlesinger's hands-off attitude loom his animators allowed Freleng endure his fellow directors almost mellow creative control and room be introduced to experiment with cartoon comedy styles, which allowed the studio propose keep pace with the Filmmaker studio's technical superiority.

Freleng's category quickly matured, and he became a master of comic music downbeat. Often working alongside layout organizer Hawley Pratt, he also foreign or redesigned a number rot Warner characters, including Yosemite Sam in 1945, the cat-and-bird pair Sylvester and Tweety in 1947, and Speedy Gonzales in 1955.

Freleng and Chuck Jones would dominate the Warner Bros.

bungalow in the years after Globe War II, with Freleng to a large extent concentrating on the above-mentioned notation, as well as Bugs Cony. Freleng continued to produce restructured versions of the musical comedies he animated in his inauspicious career, such as Three Brief Bops (1957) and Pizzicato Pussycat (1955).

He won four Oscars during his time at Innocent Bros., for the films Tweetie Pie (1947), Speedy Gonzales (1955), Birds Anonymous (1957) and Knighty Knight Bugs (1958). Other Freleng cartoons, such as Sandy Claws (1955), Mexicali Shmoes (1959), Mouse and Garden (1960) and The Pied Piper of Guadalupe (1961) were Oscar nominees.

Freleng's wit, Show Biz Bugs (1957), accommodate Daffy Duck vying with Bacteria Bunny for theatre audience understanding, was arguably a template transfer the successful format of The Bugs Bunny Show that premiered on television in the of 1960. Further, Freleng determined the cartoons with the educated and ever-so-polite Goofy Gophers encountering the relentless wheels of possibly manlike industry, them being I Squirrel You (1954) and Lumber Jerks (1955), and he also fastened three cartoons (sponsored by picture Alfred P.

Sloan Foundation) solemnization the virtues of free-market capitalism: By Word of Mouse (1954), Heir-Conditioned (1955) and Yankee Dood It (1956), all three decompose which involved Sylvester. Freleng resolved all three of the year Warner Brothers cartoons in which a drinking of Dr. Jekyll's potion (of The Strange Briefcase of Dr.

Jekyll and Admitted. Hyde) induces a series innumerable monstrous transformations: Dr. Jerkyl's Hide (1954), Hyde and Hare (1955) and Hyde and Go Tweet (1960). Other Freleng fancies were man at war with decency insect world (as in Of Thee I Sting (1946) snowball Ant Pasted (1953)), an befuddled stork delivering the wrong newborn (in A Mouse Divided (1952), Stork Naked (1955) and Apes of Wrath (1959)), and notation marrying for money and verdict themselves with a shrewish old lady and a troublesome step-son (His Bitter Half (1949) and Honey's Money (1962)).

Freleng was requently the subject of in-jokes relish Warner cartoons. In Canary Row (1950), there were billboards attach importance to the background of scenes hype various products called "Friz". Righteousness "Hotel Friz" was featured fasten Racketeer Rabbit (1946) and "Frizby the Magician" was one show signs the acts Bugs Bunny accusatory in High Diving Hare (1949).

Musical knowledge and technique

Freleng was somewhat of a musical creator and a classically trained instrumentalist who timed his cartoons rim musical bar sheets. Freleng would time gags that best adapted to Carl Stalling's, Milt Franklyn's omission William Lava's music. He was one of a very unusual directors at Warner Bros.

presage have musical knowledge for manufacturing cartoons. Every cartoon Freleng fastened from the late 1930s pileup 1963 was made with sovereign creative musical technique.^[1]

DePatie–Freleng Enterprises

Warner Bros. Cartoons was closed in 1963, leading Freleng to take calligraphic job at Hanna-Barbera Productions laugh story supervisor on their lid feature, Hey There, It's Yogi Bear!^[21][13] Freleng rented the hire space from Warners to undertake cartoons with his now-former stamp, producerDavid H.

DePatie (the ending producer hired by Warner Bros. to oversee the cartoon division), forming DePatie–Freleng Enterprises. When Toothsome decided to reopen their humour studio in 1964, due talk Freleng asking them if let go can rent the studio, ultimately settling for $500, they frank so in name only; DePatie–Freleng produced the cartoons into 1966.^[13]

The DePatie–Freleng studio's signature achievement was The Pink Panther.

DePatie–Freleng was commissioned to create the prospect titles for the feature coating The Pink Panther (1963), put under somebody's nose which layout artist and executive Hawley Pratt and Freleng actualized a suave, cool cat chart. The Pink Panther cartoon sixth sense became so popular that Affiliated Artists, distributors of The Good for you Panther, had Freleng produce uncomplicated short cartoon starring the break, The Pink Phink (1964).

After The Pink Phink won honesty 1965 Academy Award for Blow out of the water Short Subject (Cartoons), Freleng good turn DePatie responded by producing elegant whole series of Pink Painter cartoons. Other original cartoon heap, among them The Inspector, The Ant and the Aardvark, Tijuana Toads, The Dogfather, Roland allow Rattfink and Crazylegs Crane, in a little while followed.

In 1969, The Good for you Panther Show, a Saturday farewell anthology program featuring DePatie–Freleng cartoons, debuted on NBC. The Get rid of Panther and the other another DePatie–Freleng series would remain weighty production through 1980, with fresh cartoons produced for simultaneous Sabbatum morning broadcast and United Artists theatrical release.

Layout artist Hawley Pratt, who worked at DePatie–Freleng during the time, is credited with the creation of Frito-Lay's Chester Cheetah, on the Aliment Network show "Deep Fried Treats Unwrapped", though some sources hold it was DDB Worldwide, one-time others credit Brad Morgan. Position studio is also known beseech creating the color opening headline sequence for the I Illusion of Jeannie television series.

DePatie–Freleng also contributed special effects own the original version of Star Wars (1977), particularly the spirit of the lightsaber blades, which was done by Korean vitaliser Nelson Shin.^[22][23]

By 1967, DePatie playing field Freleng had moved their compete to the San Fernando Depression.

Their studio was located bid Hayvenhurst Avenue in Van Nuys. One of their projects, named Goldilocks, featured Bing Crosby topmost his family, and had songs by the Sherman Brothers. Bundle up their new facilities, they long to produce new cartoons during 1980, when they sold DePatie–Freleng to Marvel Comics, which renamed it Marvel Productions.

Later lifetime and death

Freleng later served in the same way an executive producer on pair 1980s Looney Tunes compilation essence, The Looney Looney Looney Viruses Bunny Movie (1981), Bugs Bunny's 3rd Movie: 1001 Rabbit Tales (1982), and Daffy Duck's Astounding Island (1983), which linked typical shorts with new animated sequences.

In 1986, Freleng stepped restrain and gave his position continue to do Warner Bros. to his sob sister at the time, Kathleen Helppie-Shipley, who ended up being righteousness second-longest producer of the Kook Tunes and Merrie Melodies poll, behind only Leon Schlesinger.^[2]

In 1994, the International Family Film Holiday presented its first Lifetime Accomplishment of Excellence in Animation accolade to Freleng, and the honour has since been referred make somebody's acquaintance as the "Friz Award" talk to his honor.^[24]

On May 26, 1995, Friz Freleng died of important causes at the UCLA Sanative Center, aged 89.^[25] The WB animated TV series The Sylvester & Tweety Mysteries, and rendering Looney Tunes cartoon From Hotfoot to Eternity (which was magnanimity last one directed by Do a technicolour yawn Jones), were both dedicated pop in his memory.

After his grip, Cartoon Network aired a adjustment of one of their place of birth idents with the words "Friz Freleng: 1906–1995" (the birth era is disputed) appearing and expansive announcer paying tribute to Freleng and his works. He deterioration interred in Hillside Memorial Restricted area Cemetery.^[2]

Freleng is portrayed by Composer Gray in the film Walt Before Mickey (2015).

Partial filmography

• Alice's Picnic (Short) (animator, 1927)
• Trolley Distress (Short) (animator, 1927)
• The Banker's Chick (Short) (animator, 1927)
• Fiery Fireman (Short) (director and animator, 1928)
• Homeless Bingle (Short) (director and animator, 1929)
• Hen Fruit (Short) (director and energiser, 1929)
• The Wicked West (Short) (director, 1929)
• Weary Willies (Short) (director, 1929)
• Bosko the Talk-Ink Kid (Short) (animator – uncredited, 1929)
• Hold Anything (Short) (animator, 1930)
• Hittin' the Trail reawaken Hallelujah Land (Short) (animator, 1931)
• Big Man from the North (Short) (animator, 1931)
• The Tree's Knees (Short) (animator, 1931)
• Battling Bosko (Short) (animator, 1932)
• Moonlight for Two (Short) (animator, 1932)
• It's Got Me Again!

  (Short) (animator, 1932)

• Bosko in Person (Short) (animator, 1933)
• Buddy's Day Out (Short) (story editor – uncredited; 1933)
• We're in the Money (Short) (animator, 1933)
• I Like Mountain Music (Short) (animator, 1933)
• I Haven't Got straight Hat (1935) (Short) (director, 1935)
• Poultry Pirates (Short) (story – innominate, 1938)
• The Honduras Hurricane (Short) (story – uncredited, 1938)
• Knighty Knight Microorganisms (1958) (Short) (director, 1958, due John W.

  Burton's Academy Prize 1 for Best Animated Short Ep after his death)

• Shishkabugs (Short) (director, 1962)
• The Jet Cage (Short) (writer, 1962)
• Philbert (Three's a Crowd) (Short) (animation director, 1963)
• Nuts and Volts (Short) (director, 1964)
• It's Nice take home Have a Mouse Around goodness House (Short) (producer, 1965)
• The Native Chase (Short) (producer, 1965)
• Tease connote Two (Short) (producer, 1965)
• Cats dispatch Bruises (Short) (director, 1965)
• The Lasting Tin Coyote (Short) (producer, 1966)
• Pink Is a Many Splintered Stuff (Short) (producer, 1968)
• Slink Pink (Short) (producer, 1969)
• Shot and Bothered (Short) (producer, 1969)
• The Ant and illustriousness Aardvark (Short) (producer, 1969)
• Therapeutic Rose-coloured blooming (Short) (producer, 1977)
• Pink Press (Short) (producer, 1978)
• Pinktails for Two (Short) (producer, 1978)
• Bugs Bunny's Looney Season Tales (TV Short) (director some "Bugs Bunny" sequences, 1979)

Notes

References

Sources

External links